Moving Images

Effective Teaching with Film and Television in Management

Jon Billsberry|Julie Charlesworth|Pauline Leonard
Emerald
Emerald

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Paperback / softback
9781617358746
29 May 2012
$61.00
Hardback
9781617358753
29 May 2012
$110.00
eBook (PDF)
9781617358760
29 May 2012
$61.00
eBook (ePub)
9781806615117
29 May 2012
$61.00

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  • Description
  • Contents

This book will inspire academics, teachers and trainers to use film and television in their classrooms and to shows them how it might be done. It brings together respected international scholars who recount their experiences of how they have used moving images in their classrooms (defined widely to include distance-learning) with their explanations of why they chose this method of teaching and how they put their intentions into action.

The book also illustrates how particular subjects might be taught using film and television as an inspiration to demonstrate the range of opportunities that these media offer. Finally, this book considers some of the practical issues in using film and television in the classroom such as copyright, technology, and the representation of reality and drama in films.

This is a ‘practical, how to’ book that answers the questions of those people who have considered using film and television in their classroom but until now have shied away from doing so. The opportunity to see how others have used film effectively breaks down psychological barriers and makes it seem both realistic and worthwhile.

Die Another Day: Teaching With Film and Television in the Management Classroom; Jon Billsberry, Pauline Leonard, and Julie Charlesworth.

  • Section I. Inspirational Exemplars.
  • Chapter 1. Viewing Organizational Behavior, Management Concepts, and Theories Through Film; Joseph E. Champoux.
  • Chapter 2. Art Movies in the Classroom; Thomaz Wood Jr.
  • Chapter 3. Research as Detective Work: Using Film With Postgraduate Students; Richard Thorpe and Mark Easterby-Smith.
  • Chapter 4. The Unique Effects of Animated Film in Teaching and Learning Environments; Joseph E. Champoux.
  • Chapter 5. Expect the Unexpected; Janet Sutherland.
  • Chapter 6. Cops, Robbers and Masked Vigilantes: Teaching Through Representations of Crime; Craig Webber.
  • Chapter 7. Getting To So What? Stephen B. Sloane.
  • Section II. Critical Issues.
  • Chapter 8. Using Feature Films as Critical Documentary in Management Education; Pauline Leonard.
  • Chapter 9. Understanding Audiences; Emma Bell.
  • Chapter 10. The Drama of Films; Andres Fortino.
  • Chapter 11. Using Moving Images in Management Education: Technology, Formats, Delivery and Copyright; Joseph E. Champoux and Jon Billsberry.
  • Section III. Imagining Inclusion.
  • Chapter 12. Using Film to Contextualize the Teaching of Public Involvement; Julie Charlesworth.
  • Chapter 13. To Boldly Go Where Few Have Gone Before: Teaching Strategy With Moving Images; Véronique Ambrosini, Jon Billsberry, and Nardine Collier.
  • Chapter 14. Using Film in the Teaching of Strategic Decision-Making; Peter Galvin and Troy Hendrickson.
  • Chapter 15. Using Visual Media to Teach Recruitment and Selection; Jon Billsberry.
  • Chapter 16. Using Movies to Teach Business and Leadership Principles; Troy Hendrickson and Peter Galvin.
  • Contributors.