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Looking back upon the first quarter of the twenty-first century, two themes have risen to the top of the social theory agenda and are likely to continue to become more pronounced: the proliferating sense and reality of insecurity, and the accelerating eclipse of enlightenment.
Thus far, this century has been characterized by changes in the structure and functioning of global capitalism, which has transmuted from neoliberalism into varieties of neoauthoritarianism. This new and exciting volume of Current Perspectives in Social Theory explores whether these shifts represent fundamental and transformational changes or merely adaptive, superficial ones—particularly in relation to social structure and social processes. Insecurity and the Eclipse of Enlightenment considers how these developments are likely to point toward profoundly different and increasingly disorienting futures, while also revealing the persistent, contradictory principles that have been shaping modern societies for at least two centuries.
Introduction: The Inverted Dialectics of (In)Security and the Eclipse of Enlightenment; Harry F. Dahms, Daniel Krier, and Ilaria Riccioni
Harry F. Dahms is Professor of Sociology and Director of the Center for Social Theory at the University of Tennessee, Knoxville, USA. He is also editor of Current Perspectives in Social Theory, the director of the International Social Theory Consortium, and an associate editor of Basic Income Studies and Soundings. He has published numerous articles and edited many books in the area of social theory.
Daniel Krier is Professor of Sociology at Iowa State University, USA, specialising in social theory and political economy. Dan writes in the traditions of critical and continental social theory with an emphasis upon Weber’s historical/comparative methodology.
Ilaria Riccioni is an Associate Professor of General Sociology at the Faculty of Education at the Free University of Bozen-Bolzano, Italy. Her work deals with sociological theory, critical sociology and qualitative research; cultural sociology; avant-garde art as a social critique and indicator of change.