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Ethics and Integrity in Visual Research Methods
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Ethics and Integrity in Visual Research Methods

Savannah Dodd
Emerald
Emerald

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Hardback
9781787694200
05 June 2020
$116.99
eBook (PDF)
9781787694194
05 June 2020
$116.99
eBook (ePub)
9781787694217
05 June 2020
$116.99

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  • Description
  • Contents
  • About
Ethics and Integrity in Visual Research Methods aims to unpack the multiple considerations for ethics and integrity that accompany research methods involving visual data generation and analysis. This volume focuses on the media of photography and film. Contributing authors cover a variety of topics, including: consent and dignity when working with vulnerable and marginalized populations; the limitations of participatory methods within a context of inequity and postcolonialism; the challenges of anonymising visual data; and the risks of sharing visual data online. The authors share their experiences of working with visual methods across a range of contexts, making recommendations for best practice. This volume is intended to be practical, and the key messages aim to be concrete and applicable for anyone embarking on visual methods research.

Chapter 1. Decolonisation, Representation, and Ethics in Visual Life Stories from the Jungle; Aura Lounasmaa, Cigdem Esin and Crispin Hughes Chapter 2. Using Participant-Produced Drawings as an Alternative to Photographs in Ethnographic Research; Angela Mazzetti  Chapter 3. The People in the Pictures Research: Taking care with photo elicitation; Siobhan Warrington   Chapter 4. “Can I take your photo?” The practicalities of managing informed consent with vulnerable populations; Robert Godden  Chapter 5. Possibilities and Challenges: Issues in ethical filmmaking using It Stays With You as a case study; Cahal McLaughlin and Siobhán Wills   Chapter 6. Navigating the Necessary Risks and Emergent Ethics of Visual Methods with Marginalised People; Jacqueline Shaw  Chapter 7. Ethics and the Archive: Access, appropriation, exhibition; Ciara Chambers   Chapter 8. Ethical Issues in a Participatory Photography Research Project; Susan M. Brigham and Mohamed Kharbach  Chapter 9. Letting images “speak for themselves”? User interpretation and the ethical considerations for sharing visual data online; Alice Neeson   Chapter 10. The Ethics of Screen Scholarship; Jennie Carlsten

    Savannah Dodd is an Anthropologist and Documentary Photographer based in Belfast. She founded the Photography Ethics Centre where her work involves developing online training courses, designing and facilitating workshops, authoring articles for online and print publications, and lecturing at universities on the topic of photography ethics.