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PART I. BACKGROUND DISCUSSIONS, THEORETICAL AND METHODOLOGICAL ACCOUNTS Chapter 1. Bringing people together. An introduction to the book, the project and the research behind it; David Thore Gravesen, Sidse Hølvig Mikkelsen, and Peter Hornbæk Frostholm Chapter 2. Social cultural learning: students as co-researchers, a key for students’ success?; Mette Bunting, Sidse Hølvig Mikkelsen, and Paul Cammack Chapter 3. The context of early school leavers; Kaz Stuart, Mette Bunting, Sidse Hølvig Mikkelsen, and Geir H. Moshuus Chapter 4. Equalities literacy framework; Kaz Stuart and David Thore Gravesen Chapter 5. The indirect approach – the basics, the craft and the ethics; Peter Hornbæk Frostholm and Steve Walker PART 2. EMPIRICAL FINDINGS, NARRATIVES AND ANALYTICAL TAKES Chapter 6. The importance of the student-teacher relationship; Mette Bunting and Kristin Jota Chapter 7. The educational potential of the arts for at-risk-students; Marie Møller-Skau Chapter 8. Social exclusion in school - a view on vulnerability in a context based-perspective; Camilla Josephine Haven Pagh and Mette Elgaard Dyrholm Chapter 9. The one and only civilised way through education; Annemette Lund Kjær Chapter 10. Young voices about inclusive education; Kathrine Bordevich, Mette Bunting, and Ingrid Gulseth Berge Chapter 11. Educational deprivation in Blackpool in the UK; Kaz Stuart, Deborah Terras, and Tracy Cow Chapter 12. ‘Done with’ not ‘Done to’. Confronting marginalization by engaging in conversations with young people; Steve Walker and Mette Bunting Chapter 13. The importance of families and social relations outside school; David Thore Gravesen, Sidse Hølvig Mikkelsen, Peter Hornbæk Frostholm, and Josefine Mark Raunkjær PART 3. IMPLICATIONS AND POTENTIALS FOR FUTURE PRACTICE Chapter 14. A broader view at marginalization – and the steps towards change; David Thore Gravesen, Kaz Stuart, and Mette Bunting Chapter 15. Now what? Practical implications for higher education; Sidse Hølvig Mikkelsen and David Thore Gravesen Chapter 16. A love letter of sorts; Michelle Fine